|
ANZI ZALIS CHANA BATYA |
ON INTERCULTURAL RELATIONS AND HYBRIDITY IN THE DOCUMENTARY FILM "PRESENTING PRINCESS SHAW" (2016)
|
1 - 14 |
|
CASTILLO FRANCISCO |
EVOLUTIONISM IN MUSIC HISTORY: TOWARD RECONCILIATION
|
15 - 24 |
|
CHUHU SVITLANA |
THE ART OF READING: ENHANCING READING COMPREHENSION STRATEGIES IN THE ESP CLASSROOM
|
25 - 33 |
|
DWIVEDI AMITABH VIKRAM |
TAXONOMY OF THE ROMANTIC HEROINE: INTERROGATING PSYCHOLOGICAL AND RELIGIOUS ASPECTS IN BRAJ POETRY
|
34 - 42 |
|
JANIĆIJEVIĆ NEBOJŠA |
THE IMPACT OF NATIONAL CULTURE ON LEADESRHIP IN SOCETY AND ORGANIZATIONS: WHY DO SERBS LOVE AUTHORITARIAN LEADERS
|
43 - 58 |
|
PACKARD NOEL |
EXPLOITING THE “COMMUNIST THREAT“, FOR THE PRIVATIZED INTERNET
|
59 - 80 |
|
POTGIETER ANDREA , RENSLEIGH CHRIS |
THERE'S AN APP FEATURE FOR THAT: ESTABLISHING USER PREFERRED MOBILE APP FEATURES THROUGH ASYNCHRONOUS ONLINE INTERVIEWS
|
81 - 93 |
|
ŠEPIĆ TATJANA |
READING EMILY BRONTË’S WUTHERING HEIGHTS AND GEORGE SAND’S MAUPRAT AS MUSICAL NOVELS
|
94 - 113 |
|
WONGRUJIRA MONWIPA |
EXPLORING THE USE OF DATA-DRIVEN JOURNALISM IN THAI MASS MEDIA
|
114 - 122 |
|
ZIARKOWSKI DOMINIK |
POLISH TOURIST GUIDEBOOKS OF THE 19TH CENTURY IN THE EUROPEAN CONTEXT*
|
123 - 134 |
